The BBC drama *What It Feels Like for a Girl* has garnered significant attention, particularly for its portrayal of a queer teenager navigating their gender identity amidst a backdrop of parties and substance use. The show, rooted in the memoir of journalist Paris Lees, features rising star Ellis Howard, a talented actor from Liverpool. Following its success, Howard has been recognized on the U.K. 2025 BAFTA Breakthrough list, a program supported by Netflix that highlights emerging talent.
Born and raised in Liverpool, Howard honed his craft at The Guildhall School before appearing in notable productions such as the 2022 BBC horror series *Red Rose* and his West End debut in Aaron Sorkin’s adaptation of *To Kill a Mockingbird*. His role in *What It Feels Like for a Girl* has propelled him into the spotlight. The series, directed by Brian Welsh and produced by Hera Pictures, also stars actors Hannah Walters and Laura Haddock.
Reflecting on Recognition and Career Journey
In an interview with *The Hollywood Reporter*, Howard expressed his excitement about being included in the BAFTA Breakthrough program. “I feel BAFTA is such an incredible institution at the very heart of our culture,” he stated. “To be recognized and to be supported by them is just such an honor.” He acknowledged the significance of *What It Feels Like for a Girl* as a pivotal project in his career, noting its humble beginnings as a small BBC Three show.
Howard plays the character Byron, who embarks on a complex emotional journey throughout the series. He reflected on the challenges and responsibilities that come with portraying such a multidimensional role, particularly one that resonates with his own experiences. “I felt this tremendous responsibility, but also this opportunity, to come at this role with all of my trauma and triumph,” Howard shared. The experience has motivated him to pursue more challenging roles in the future.
Aspirations and Future Projects
When discussing his goals within the BAFTA Breakthrough program, Howard expressed a desire to connect with fellow creatives. He highlighted the collaborative spirit of *What It Feels Like for a Girl*, calling it a passion project driven by Paris Lees. “I want to meet more exciting writers and filmmakers,” he said. The support from BAFTA, he hopes, will open doors to opportunities that may have seemed out of reach.
The themes explored in *What It Feels Like for a Girl* resonate deeply with Howard, particularly the intersection of queerness and class. “These aspects are incredibly important to me,” he noted. Yet, he also expressed a longing to explore different narratives, envisioning himself in period pieces or complex roles typical of shows like *Industry* and *Succession*.
While *What It Feels Like for a Girl* currently lacks distribution in the United States, Howard is eager to see it reach a wider audience. He believes the show offers a valuable perspective on British life and would resonate with viewers across the Atlantic. “We need this anarchic, punk queer show over in the States just to ruffle some feathers,” he stated passionately.
As Ellis Howard continues his journey, his achievements thus far signal a promising future in the entertainment industry. With the support of BAFTA and a growing body of work, he is poised to make significant contributions both as an actor and a writer.
