Sabrina Carpenter has publicly criticized the White House for using her song “Juno” in a video promoting immigration enforcement. The clip, shared by the administration’s social media account, features a montage of arrests by the Department of Homeland Security (DHS), set to Carpenter’s track, which is known for its suggestive lyrics. In a comment on the post, Carpenter described the use of her music as “evil and disgusting,” firmly stating, “Do not ever involve me or my music to benefit your inhumane agenda.”
The specific lyrics used in the video, “Have you ever tried this one?” are notable for their playful context. Carpenter had previously performed this line during her Short n’ Sweet Tour, where she used it to demonstrate a new dance move. The juxtaposition of the flirty lyrics against the backdrop of law enforcement actions has drawn significant backlash, transforming a lighthearted moment into a controversial political message.
Response from Fellow Artists
Carpenter’s strong statement follows a similar condemnation from fellow artist Olivia Rodrigo. Rodrigo criticized the White House after it utilized her song “All-American Bitch” in a post that she described as promoting “racist, hateful propaganda” related to self-deportation. The quick responses from both artists highlight a growing trend where musicians are taking a stand against political misuse of their work.
The actions of Carpenter and Rodrigo resonate with many in the entertainment industry who are increasingly vocal about their opposition to government policies they find objectionable. Both artists have emphasized the importance of separating their creative expressions from political agendas that conflict with their values.
Carpenter’s remarks reflect a broader sentiment among musicians and public figures about the ethical implications of using art in political contexts. She has made it clear that she wants her music to remain an expression of joy and creativity, not a tool for promoting policies she finds morally repugnant.
As the conversation around the intersection of art and politics continues, it remains to be seen how other artists will respond to similar situations in the future. The involvement of prominent figures like Carpenter and Rodrigo sets a precedent for accountability and raises awareness about the impact of music on societal issues.
