“Once We Were Us” has made a remarkable impact at the South Korean box office, becoming the first film of 2026 to surpass the significant milestone of 1 million moviegoers. The announcement came from the Korean Film Council on January 11, confirming that the film achieved this feat within just 12 days of its release.
Released on December 31, 2025, “Once We Were Us” quickly captured the attention of audiences across the nation. The film, a remake of the acclaimed Chinese production “Us and Them,” unfolds the poignant story of Eun Ho, played by Koo Kyo Hwan, and Jung Won, portrayed by Mun Ka Young. After a decade apart following a passionate romance, the two unexpectedly cross paths, leading them to revisit their shared memories.
To celebrate the film’s success, both Mun Ka Young and Koo Kyo Hwan, along with director Kim Do Young, took to social media to express their gratitude. They shared personal handwritten messages thanking fans for their overwhelming support and enthusiasm for the film.
The strong box office performance of “Once We Were Us” reflects not only its engaging narrative but also the effectiveness of its promotional campaigns. The film’s appeal lies in its relatable themes of love and nostalgia, resonating deeply with audiences who appreciate heartfelt storytelling.
As the film continues to draw viewers, it sets a positive precedent for the South Korean film industry in 2026. With its early success, “Once We Were Us” may pave the way for further explorations of similar themes in future productions.
Congratulations are in order for the cast and crew whose hard work and dedication have contributed to this milestone. As the film maintains its momentum, the industry watches closely to see how it will perform in the weeks ahead.
For those interested in exploring more of Mun Ka Young’s talent, her recent work in “Law and the City” is available on Viki, while Koo Kyo Hwan’s film “Escape” is also gaining attention. The success of “Once We Were Us” signifies a promising start to a new year in cinema, energizing both filmmakers and audiences alike.
