Renowned filmmaker James L. Brooks makes his return to directing with the film Ella McCay, marking his first project in 15 years since his last feature. The 85-year-old director, celebrated for his work on classics like The Mary Tyler Moore Show and Terms of Endearment, presents a narrative that attempts to blend political ambition with personal challenges.
The film stars Emma Mackey as Ella, a 34-year-old lieutenant governor in an unnamed state during 2008. Her ascent to governor is complicated when Governor Bill, portrayed by Albert Brooks, is selected for a position in the president’s Cabinet. While Ella should be enjoying a pivotal moment in her career, her journey is marred by her demanding husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her unfaithful father, Eddie (Woody Harrelson).
Despite the challenges posed by the men in her life, Ella remains optimistic, supported by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film chronicles Ella’s experiences over a few days as she juggles the demands of governance along with the distractions from her family.
Critique of Storytelling and Character Development
While Brooks has a history of compelling storytelling, critics have noted that Ella McCay lacks focus. What starts as a straightforward narrative about Ella’s challenges becomes a meandering exploration of various subplots that dilute its impact. The personal struggles of her brother and father, though significant to her life, receive comparatively little screen time, making their importance feel unearned.
Additionally, a subplot involving Casey’s attempts to rekindle a relationship with his girlfriend, Susan (Ayo Edebiri), seems disconnected from the main storyline. The political aspects of Ella’s journey, particularly her efforts to assist mothers in need, also lack clarity, leaving audiences unsure of her objectives. Critics have pointed out that Ella’s portrayal of being dull in front of fellow lawmakers does not resonate with a character meant to inspire.
Nevertheless, the film finds strength in the performances of Mackey and Curtis. Mackey, known for her role in Sex Education, brings a confident energy to Ella, maintaining her likability despite narrative shortcomings. Curtis, known for her vibrant roles, offers a grounding presence as Ella’s aunt, providing comfort during turbulent moments.
Supporting Cast and Overall Reception
Brooks has invested significant attention in the female characters, with Kavner delivering some of the film’s most humorous lines, despite her role as a somewhat unnecessary narrator. In contrast, Harrelson’s character lacks depth, and Fearn’s portrayal of Casey comes off as overly irritating. Lowden’s character does not fare much better, primarily due to the limitations of the script.
Despite the film’s shortcomings, the return of Brooks is notable. His extensive career spans over six decades, and while Ella McCay may not reach the heights of his previous works, it offers a platform for emerging talent like Mackey. The film opens in theaters on December 12, 2023, and serves as both a nostalgic revisit to Brooks’s style and a testament to the evolving landscape of Hollywood storytelling.
