Triskelion Arts has announced its Spring 2026 season, showcasing a diverse array of performances at its venue in Greenpoint, Brooklyn. Running from March through June, the lineup features premieres, resident artist showcases, and returning programs, emphasizing interdisciplinary dance, physical theater, and experimental performance.
The season kicks off with Valentina Baché’s Dog God//Germ Angels, taking place from March 12 to 14. This evening-length piece is driven by rhythm and endurance, presenting a physically charged ritual that explores cycles of rage, care, and transformation through relentless movement and sound.
On March 27 and 28, Triskelion Arts will host the sixth edition of SYNTHESIS, curated by nightlife performer and producer Miz Jade. This theatrical variety show highlights queer nightlife artists across drag, burlesque, music, and performance, providing elevated production support in a theater setting. This year’s lineup includes notable performers such as Bertha Vanayshun, Blue, Bob Voyage, Cunning Stunt, Sherry Poppins, Shia Ho, and Miz Jade.
The season continues with the premiere of STAR SPANGLED MANOR by Verbal Animal, Triskelion’s 2026 Spring Production Resident Artist, from April 9 to 11. This interdisciplinary dance-theater work delves into the mythology of the American Dream, using movement, projection, sound, and design. Framed through a queer lens, the piece addresses themes of surveillance, rave culture, and power structures, revealing how systems of order can fracture under pressure while hinting at new collective futures.
From April 30 to May 2, Dorchel Haqq will present the underscore, an immersive physical theater work that examines joy, grief, faith, and systemic oppression. The piece draws on concepts of Black fragility, Afropessimism, and Afrofuturism, articulated through media and memory.
The Jamal Jackson Dance Company will perform Adultification from May 7 to 9. This work tackles the racial bias that perceives Black children as older and less innocent than their peers. Through contemporary and African-influenced movement, it juxtaposes childhood joy with the burdens of imposed adulthood.
On May 28 and 30, SPLIT BILL #48 will showcase new works by emerging artists Elinor Kleber Diggs and Kimie Parker. Diggs’ piece, Crimson, explores the tension between sincerity and artifice, while Parker’s meet me in the lake, my swan delves into themes of displacement, sisterhood, and dual Japanese-American identity through folkloric imagery.
The season wraps up with in essence by Ke’ron J. Wilson, Triskelion’s 2026 Artist-in-Residence, on June 11 to 13. This ritual performance focuses on trans embodiment and spiritual reclamation, integrating movement, spoken word, and live projection in a ceremonial space that fosters witnessing and care.
All performances will take place at Triskelion Arts, located at 106 Calyer St. in Greenpoint. Tickets are available online, with tiered pricing ranging from $17 to $50, making these innovative performances accessible to a wide audience.
